The sanctity of our most intimate experiences is also diminished. My grandfather Charles Shaw — a notable…

Questão

The sanctity of our most intimate experiences is also diminished. My grandfather Charles Shaw — a notable musician whose wisdoms and jazz scene tales I often shared on Twitter — passed away last year. Rather than take adequate time to privately mourn the loss of his giant influence in my life alongside those who loved him most, I quickly posted a lengthy tribute to him to my followers. At the time I thought, “How will they remember him if I don’t acknowledge his passing?” Perhaps at the root of this anxiety over being forgotten is an urgent question of how one ought to form a legacy; with the rise of automation, a widening wealth gap and an unstable political climate, it is easy to feel unimportant. It is almost as if the world is too big and we are much too small to excel in it in any meaningful way. We feel we need as many people as possible to witness our lives, so as not to be left out of a story that is being written too fast by people much more significant than ourselves. “The secret of a full life is to live and relate to others as if they might not be there tomorrow, as if you might not be there tomorrow,” the writer Anais Nin said. “This feeling has become a rarity, and rarer every day now that we have reached a hastier and more superficial rhythm, now that we believe we are in touch with a greater amount of people. This is the illusion which might cheat us of being in touch deeply with the one breathing next to us.” I think of those words and at once any fear of obscurity is eclipsed by much deeper ones — the fear of forgoing the sacred moments of life, of never learning to be completely alone, of not bearing witness to the incredible lives of those who surround me. I observe the world around me. It is big and moving fast. “What’s happening?” I think to myself. I’m just beginning to find out. From:www.nytimes.com/Oct. 1, 2019 For the author herself, Twitter was the platform for important things in her life, including the (UECE 2020)

1. A) expression of her emotions and artistic identity.
2. B) exposition of her whole family life experiences.
3. C) professional development and achievements.
4. D) travelling accounts.

✅ Resposta correta: alternativa A

Resolução passo a passo

1. A questão pede o que, para a autora, o Twitter representava: a plataforma para coisas importantes da sua vida, incluindo o que vem depois de 'including the'. Passo 2: No texto, ela conta que compartilhava no Twitter as sabedorias e os relatos sobre a cena do jazz de seu avô, e que, após a morte dele, postou uma longa homenagem para os seguidores. Isso mostra o uso da plataforma para expressar sentimentos, especialmente o luto e o afeto pela família. Passo 3: A alternativa A (expressão de suas emoções e identidade artística) é a mais adequada. A parte emocional está claramente no texto. A parte 'identidade artística' é uma interpretação um pouco ampla, pois o texto associa a arte ao avô músico, não à própria autora. Passo 4: A alternativa B está errada porque o texto mostra apenas parte da vida familiar (o avô), e não 'toda' a experiência familiar; o advérbio 'whole' exagera o conteúdo. Passo 5: A alternativa C está errada porque o texto não fala de desenvolvimento profissional nem de conquistas da autora. Passo 6: A alternativa D está errada porque não há relatos de viagens em nenhum trecho do texto. Passo 7: Concordo com o gabarito oficial, A, com a ressalva de que a 'identidade artística' é uma leitura mais livre do que a parte emocional.

💡 Dica: Leia atentamente o texto para compreender a mensagem principal e as intenções do autor.

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